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| Do 10. 7. | 19. 30 | Monterey Pop D. A. Pennebaker, USA 1967/68; 79' E |
| 21. 30 | The Graduate Mike Nichols, USA 1967; 105' E/df | |
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| Fr 11. 7. | 21. 30 | Open Air Harold and Maude Hal Ashby, USA 1971; 90' E/df |
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| Sa 12. 7. | 21. 30 | Open Air Bin-jip Kim Ki-Duk, SK 2004; 88' OV/df |
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| So 13. 7. | 19. 30 | Monterey Pop D. A. Pennebaker, USA 1967/68; 79' E |
| 21. 30 | The Graduate Mike Nichols, USA 1967; 105' E/df | |
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| Mo 14. 7. | 19. 30 | Monterey Pop D. A. Pennebaker, USA 1967/68; 79' E |
| 21. 30 | The Graduate Mike Nichols, USA 1967; 105' E/df | |
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| Di 15. 7. | 19. 30 | Monterey Pop D. A. Pennebaker, USA 1967/68; 79' E |
| 21. 30 | The Graduate Mike Nichols, USA 1967; 105' E/df | |
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| Mi 16. 7. | 21. 30 | Open Air La red Emilio Fernández, MEX 1953; 80' F/d |
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| Do 17. 7. | 19. 30 | Performance Donald Cammell / Nicolas Roeg, GB 1970; 105' E/df |
| 21. 30 | Summer of Love, Flower-Power and beyond – Raritäten des Hippiefilms Versch. Regisseure, VHKL 1967–1975; 90' OV | |
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| Fr 18. 7. | 21. 30 | Open Air Chungking Express (Chong qing sen lin) Wong Kar-wai, HK 1994; 102' OV/df |
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| Sa 19. 7. | 21. 30 | Open Air The Thomas Crown Affair Norman Jewison, USA 1967/68; 102' E/d |
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| So 20. 7. | 19. 30 | Barbarella Roger Vadim, I/F 1967/68; 96' E/df |
| 21. 30 | Psych-Out Richard Rush, USA 1967/68; 101' E/d | |
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| Mo 21. 7. | 19. 30 | Barbarella Roger Vadim, I/F 1967/68; 96' E/df |
| 21. 30 | Psych-Out Richard Rush, USA 1967/68; 101' E/d | |
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| Di 22. 7. | 19. 30 | Barbarella Roger Vadim, I/F 1967/68; 96' E/df |
| 21. 30 | Psych-Out Richard Rush, USA 1967/68; 101' E/d | |
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| Mi 23. 7. | 21. 30 | Open Air Kukushka Aleksandr Rogoshkin, RUS 2002; 100' OV/df |
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| Do 24. 7. | 21. 30 | I Love You, Alice B. Toklas Hy Averback, USA 1968; 92' E/d |
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| Fr 25. 7. | 21. 30 | Open Air Subway Luc Besson, F 1985; 104' F/d |
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| Sa 26. 7. | 21. 30 | Open Air My Name Is Joe Ken Loach, GB/D 1998; 105' E/df |
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| So 27. 7. | 21. 30 | I Love You, Alice B. Toklas Hy Averback, USA 1968; 92' E/d |
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| Mo 28. 7. | 21. 30 | I Love You, Alice B. Toklas Hy Averback, USA 1968; 92' E/d |
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| Di 29. 7. | 21. 30 | I Love You, Alice B. Toklas Hy Averback, USA 1968; 92' E/d |
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| Mi 30. 7. | 21. 30 | Open Air Mamma Roma Pier Paolo Pasolini, I 1962; 105' I/df |
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| Do 31. 7. | 19. 30 | Zabriskie Point Michelangelo Antonioni, USA 1969/70; 110' E/df |
| 21. 45 | Candy Christian Marquand, USA/I 1968; 114' E/df | |
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| Fr 1. 8. | 21. 15 | Open-Air-PREMIERE The Last Blast Versch. Regisseure, CH 2007; 121' Dialekt•E/d |
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| Sa 2. 8. | 21. 15 | Open Air Fahrenheit 451 François Truffaut, GB 1966; 113' E/d |
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| So 3. 8. | 19. 30 | Zabriskie Point Michelangelo Antonioni, USA 1969/70; 110' E/df |
| 21. 45 | Candy Christian Marquand, USA/I 1968; 114' E/df | |
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| Mo 4. 8. | 19. 30 | Zabriskie Point Michelangelo Antonioni, USA 1969/70; 110' E/df |
| 21. 45 | Les chemins de Katmandou André Cayatte, F/I 1969; 100' F/d | |
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| Di 5. 8. | 19. 30 | Zabriskie Point Michelangelo Antonioni, USA 1969/70; 110' E/df |
| 21. 45 | Les chemins de Katmandou André Cayatte, F/I 1969; 100' F/d | |
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| Mi 6. 8. | 17. 15 | El camino de San Diego Carlos Sorin, ARG 2006; 98' SP/df |
| 21. 15 | Open Air The Draughtman's Contract Peter Greenaway, GB 1982; 108' E/d | |
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| Do 7. 8. | 19. 30 | Tommy Ken Russell, GB 1974/75; 111' E/df |
| 21. 45 | More Barbet Schroeder, F/LU 1969; 114' E/df | |
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| Fr 8. 8. | 21. 15 | Open Air The Man Who Wasn’t There Joel Coen, GB/USA 2001; 116' E/df |
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| Sa 9. 8. | 19. 30 | Gimme Shelter Albert Maysles / David Maysles / Charlotte Zwerin, USA 1970; 89' E/df |
| 21. 30 | Performance Donald Cammell / Nicolas Roeg, GB 1970; 105' E/df | |
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| So 10. 8. | 19. 30 | Tommy Ken Russell, GB 1974/75; 111' E/df |
| 21. 45 | More Barbet Schroeder, F/LU 1969; 114' E/df | |
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| Mo 11. 8. | 19. 30 | Tommy Ken Russell, GB 1974/75; 111' E/df |
| 21. 45 | More Barbet Schroeder, F/LU 1969; 114' E/df | |
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| Di 12. 8. | 19. 30 | Tommy Ken Russell, GB 1974/75; 111' E/df |
| 21. 45 | More Barbet Schroeder, F/LU 1969; 114' E/df | |
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| Mi 13. 8. | 21. 15 | Open Air The Indian Runner Sean Penn, USA 1991; 127' E/df |
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| Do 14. 8. | 20. 00 | Woodstock Michael Wadleigh, USA 1969/70; 185' E/df |
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| Fr 15. 8. | 21. 00 | Open Air Midnight Run Martin Brest, USA 1988; 126' E/df |
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| Sa 16. 8. | 21. 00 | Open Air The Three Burials of Melquiades Estrada Tommy Lee Jones, USA/F 2005; 121' E•SP/df |
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| So 17. 8. | 19. 30 | Hair Milos Forman, USA 1978/79; 121' E/df |
| 21. 45 | Easy Rider Dennis Hopper, USA 1969; 96' E/df | |
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| Mo 18. 8. | 19. 30 | Hair Milos Forman, USA 1978/79; 121' E/df |
| 21. 45 | Easy Rider Dennis Hopper, USA 1969; 96' E/df | |
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| Di 19. 8. | 19. 30 | Hair Milos Forman, USA 1978/79; 121' E/df |
| 21. 45 | Easy Rider Dennis Hopper, USA 1969; 96' E/df | |
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| Mi 20. 8. | 19. 30 | Hair Milos Forman, USA 1978/79; 121' E/df |
| 21. 45 | Easy Rider Dennis Hopper, USA 1969; 96' E/df | |
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| Do 21. 8. | 20. 00 | Woodstock Michael Wadleigh, USA 1969/70; 185' E/df |
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| Fr 22. 8. | 19. 30 | Hideous Kinky (aka Marrakech Express) Gillies MacKinnon, GB/F 1998; 98' E/df |
| 21. 30 | Alice’s Restaurant Arthur Penn, USA 1969; 111' E/d | |
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| Sa 23. 8. | 19. 30 | Hideous Kinky (aka Marrakech Express) Gillies MacKinnon, GB/F 1998; 98' E/df |
| 21. 30 | Alice’s Restaurant Arthur Penn, USA 1969; 111' E/d | |
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| So 24. 8. | 19. 30 | Hideous Kinky (aka Marrakech Express) Gillies MacKinnon, GB/F 1998; 98' E/df |
| 21. 30 | Alice’s Restaurant Arthur Penn, USA 1969; 111' E/d | |
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| Mo 25. 8. | 19. 30 | Jack and Rose (aka The Ballad of Jack and Rose) Rebecca Miller, USA 2004/05; 112' E/df |
| 21. 45 | The shorts of Cecil B. Feeder Cecil B. Feeder, USA 2003–2006; 60' E | |
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| Di 26. 8. | 19. 30 | Jack and Rose (aka The Ballad of Jack and Rose) Rebecca Miller, USA 2004/05; 112' E/df |
| 21. 45 | The shorts of Cecil B. Feeder Cecil B. Feeder, USA 2003–2006; 60' E | |
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| Mi 27. 8. | 19. 30 | Jack and Rose (aka The Ballad of Jack and Rose) Rebecca Miller, USA 2004/05; 112' E/df |
| 21. 45 | The shorts of Cecil B. Feeder Cecil B. Feeder, USA 2003–2006; 60' E | |
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| Für das Zustandekommen des Programmes danken wir: | ||
| Affyirheid Productions, Bern (Andy Gross) • Arthur Mühlemann, Bäretswil • Bonner Kinemathek (Bernhard Gugsch) • British Film Institute, London (Sue Jones, Sarah Robertson) • Cecil B. Feeder, San Francisco • Cinémathèque suisse, Lausanne – Penthaz – Zürich • Columbus Film, Zürich (Andrea Bleuler, Ruth Grünenfelder) • DFS, Portland (Derek Sehorn) • Dieter Meier, Zürich • Elite-Film, Zürich • Filmcoopi, Zürich • Fox-Warner, Zürich (Marcel Lanthemann) • Hollywood Classics, London (Geraldine Higgins) • Jane Balfour Services, London (Duska Zagorac) • Judith Wieser-Huber, Wien • Lichtspiel, Bern (Judith Hofstetter, David Landolf) • Maria Schönbucher, Zürich • Markus Betschart, Muotathal • Maysles Films, New York (Tanja Meding, Laura Coxson) • Metro-Goldwyn-Mayer Studios, Century City (Jeanette Hanley) • Monopole Pathé Films, Zürich (Martin Reinmann) • Nicole Hess, Zürich • Österreichisches Filmmuseum, Wien (Regina Schlagnitweit) • Park Circus, Glasgow (Nick Varley, John Letham) • The Rolling Stones • Universal Pictures International, Zürich (Rolf Zellweger) • Universidad Nacional Autónoma de México, Mexico City • Walt Disney Studios Motion Pictures, Zürich (Marcel Dinten) • Warner Bros., Hamburg (Günter Backes) • Warner Bros., London (Richard Huhndorf) • Xenix Filmdistribution, Zürich | ||
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